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  <title>eCommons Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/1813/2518" />
  <subtitle />
  <id>http://hdl.handle.net/1813/2518</id>
  <updated>2013-05-21T15:19:34Z</updated>
  <dc:date>2013-05-21T15:19:34Z</dc:date>
  <entry>
    <title>Italian political cinema:Surveying a once glorious genrein times of anguish</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/2654" />
    <author>
      <name>Testa, Carlo</name>
    </author>
    <id>http://hdl.handle.net/1813/2654</id>
    <updated>2006-03-01T08:33:54Z</updated>
    <published>2006-02-28T20:34:18Z</published>
    <summary type="text">Title: Italian political cinema:Surveying a once glorious genrein times of anguish
Authors: Testa, Carlo
Abstract: Because in the Entralogos context I will dwell in some detail on the theoretical issues underpinning my interest in literature and culture, in the present pages I shall focus instead on some specific historical aspects of the dialectics between Italian society and Italian cinema. In particular, I shall concentrate on what it has become customary to describe by the term ?political cinema,? as well as some of its reverberations in a genre not normally associated with it: the ?comedy Italian style.? The two sections on cinema politico and commedia all?italiana will thus constitute the two main articulations of my argument. However, since I cannot assume a specific familiarity with post-WWII Italy among the interdisciplinary community of my readers, I shall introduce those two mini-chapters by a prologue presenting, in broad strokes, the relevant socio-historical context of the peninsula. At the end, I shall return to considerations of a more general cultural import about the challenges of the times in which we live.
Description: A paper presented in February 2005 to the colloquium.</summary>
    <dc:date>2006-02-28T20:34:18Z</dc:date>
  </entry>
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