<?xml version="1.0" encoding="UTF-8"?>
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  <title>eCommons Collection: 2003 Rockefeller Fellowship Nominee</title>
  <link rel="alternate" href="http://hdl.handle.net/1813/3840" />
  <subtitle>2003 Rockefeller Fellowship Nominee</subtitle>
  <id>http://hdl.handle.net/1813/3840</id>
  <updated>2013-06-19T21:12:45Z</updated>
  <dc:date>2013-06-19T21:12:45Z</dc:date>
  <entry>
    <title>Fold-Unfold; Croc; Esh; Shin; Ruaj; Tet</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/3843" />
    <author>
      <name>Dron, Alejandro</name>
    </author>
    <id>http://hdl.handle.net/1813/3843</id>
    <updated>2006-11-17T07:00:31Z</updated>
    <published>2006-11-16T20:58:52Z</published>
    <summary type="text">Title: Fold-Unfold; Croc; Esh; Shin; Ruaj; Tet
Authors: Dron, Alejandro
Abstract: Installation shots of various pieces by Alejandro Dron.</summary>
    <dc:date>2006-11-16T20:58:52Z</dc:date>
  </entry>
  <entry>
    <title>2003 Rockefeller New Media Foundation Proposal</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/3841" />
    <author>
      <name>Dron, Alejandro</name>
    </author>
    <id>http://hdl.handle.net/1813/3841</id>
    <updated>2007-10-19T19:20:24Z</updated>
    <published>2006-11-15T21:29:20Z</published>
    <summary type="text">Title: 2003 Rockefeller New Media Foundation Proposal
Authors: Dron, Alejandro
Abstract: Non-Stop is an interactive kinetic sculpture composed of two flat metal structures on&#xD;
wheels. Both elements are elevated from the floor by approximately 3 inches. The&#xD;
larger part is squared, more stable. The smaller one is more open and appears to&#xD;
be less stable. Each part has a different contour and each shape interacts with the&#xD;
other. The entire piece starts and ends its dance within a 45 square foot area.&#xD;
Throughout its sequence it expands to engage a 90 square foot area.  &#xD;
The movements of Non-Stop are preprogrammed by the author and are altered by&#xD;
the participants. If the participant stops moving so does the sculpture. The work can&#xD;
assume various rhythms and forms. This pace can be modified through the&#xD;
participants' movements. Non-Stop follows a cause and effect as well as a random&#xD;
pattern. After many sequences the participants may come to understand which&#xD;
movements are part of the preprogrammed sequence and which are random ones.&#xD;
As the viewers approach and walk around the sculpture they trigger sensors -&#xD;
connected to electronic circuits, microprocessors, motors , and special&#xD;
mechanisms for the wheels - powered by Photo Voltaic Cells. All these components&#xD;
are hidden in the bottom of the sculpture, (see Draft of the mechanics).&#xD;
Non-Stop is a large-scale participatory work of art. It attempts to create an antienvironment&#xD;
and through its instability helps the participant to confront conventional&#xD;
assumptions about space and social organization.</summary>
    <dc:date>2006-11-15T21:29:20Z</dc:date>
  </entry>
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