<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>eCommons Collection: 2003 Rockefeller Fellowship Nominee</title>
  <link rel="alternate" href="http://hdl.handle.net/1813/3865" />
  <subtitle>2003 Rockefeller Fellowship Nominee</subtitle>
  <id>http://hdl.handle.net/1813/3865</id>
  <updated>2013-06-18T20:56:08Z</updated>
  <dc:date>2013-06-18T20:56:08Z</dc:date>
  <entry>
    <title>Rockefeller New Media Foundation Proposal</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/3866" />
    <author>
      <name>Kurgan, Laura</name>
    </author>
    <id>http://hdl.handle.net/1813/3866</id>
    <updated>2006-11-21T07:00:40Z</updated>
    <published>2006-11-20T20:24:08Z</published>
    <summary type="text">Title: Rockefeller New Media Foundation Proposal
Authors: Kurgan, Laura
Abstract: Using the highest-resolution satellite imagery available to anyone outside the U.S. or Russian&#xD;
military or intelligence community, I am interested in creating digital images of the monochrome&#xD;
landscapes which represent some of the most vulnerable sites of the 21st century. The&#xD;
landscapes look familiar, even stereotyped - blue (the Atlantic Ocean), green (the Cameroon rain&#xD;
forest), yellow (the Iraqi desert), and white (the Alaskan tundra). But they are produced with&#xD;
instruments and materials (commonplace and yet still extraordinary ones) that in their very&#xD;
construction call into question the material which constitutes a landscape. These landscapes,&#xD;
these images, ask profound questions about their own future -- and ours --even as they adopt the&#xD;
formal strategies of the most abstract, non-referential, 'aesthetic' of the last century's museum&#xD;
pieces.</summary>
    <dc:date>2006-11-20T20:24:08Z</dc:date>
  </entry>
</feed>

