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  <title>eCommons Collection: 2004  Rockefeller Fellowship Nominee</title>
  <link rel="alternate" href="http://hdl.handle.net/1813/3982" />
  <subtitle>2004  Rockefeller Fellowship Nominee</subtitle>
  <id>http://hdl.handle.net/1813/3982</id>
  <updated>2013-05-23T18:45:02Z</updated>
  <dc:date>2013-05-23T18:45:02Z</dc:date>
  <entry>
    <title>2004 Rockefeller New Media Foundation Proposal</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/3983" />
    <author>
      <name>Easterling, Keller</name>
    </author>
    <id>http://hdl.handle.net/1813/3983</id>
    <updated>2006-12-16T07:01:04Z</updated>
    <published>2006-12-15T15:04:22Z</published>
    <summary type="text">Title: 2004 Rockefeller New Media Foundation Proposal
Authors: Easterling, Keller
Abstract: Offshore, an exhibition and website, is the fictional media counterpoint to a non-fiction book I have just&#xD;
completed titled Terra Incognita.&#xD;
Terra Incognita, travels around the world looking at formulaic spatial products in difficult political&#xD;
situations. While generally considered to be politically immune formats of neoliberal magistrates and&#xD;
their business counterparts, these products are also the tools of rogue nations, cults, and other&#xD;
impresarios. Far from banal, they can become political pawns and even instruments of aggression,&#xD;
storing new myths, desires and symbolic capital in a complex spatial cocktail. Terra Incognita visits six&#xD;
such cocktails: tourism in North Korea, fantastic forms of sovereignty in commercial and religious&#xD;
franchises, high-tech agricultural formations in, automated global ports, microwave urbanism in India's&#xD;
IT enclaves and the global industry of building implosion. These runaway stories, found in the&#xD;
international pages of the newspapers and the global news wires, create something like footnoted&#xD;
fiction in a book of political misadventures.</summary>
    <dc:date>2006-12-15T15:04:22Z</dc:date>
  </entry>
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