<?xml version="1.0" encoding="UTF-8"?>
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  <title>eCommons Collection: 2004  Rockefeller Fellowship Nominee</title>
  <link rel="alternate" href="http://hdl.handle.net/1813/3990" />
  <subtitle>2004  Rockefeller Fellowship Nominee</subtitle>
  <id>http://hdl.handle.net/1813/3990</id>
  <updated>2013-05-24T16:03:39Z</updated>
  <dc:date>2013-05-24T16:03:39Z</dc:date>
  <entry>
    <title>Rockefeller New Media Foundation --Supplementary Material</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/4026" />
    <author>
      <name>Ferrera-Balanquet, Raul</name>
    </author>
    <id>http://hdl.handle.net/1813/4026</id>
    <updated>2007-12-09T13:58:36Z</updated>
    <published>2006-12-20T16:23:34Z</published>
    <summary type="text">Title: Rockefeller New Media Foundation --Supplementary Material
Authors: Ferrera-Balanquet, Raul
Abstract: We have stated earlier that we have chosen, for the construction of the framework&#xD;
of the project- its structural foundations- four specific socio-cultural, historical and&#xD;
technological contexts. Three of these contexts are the concept of Mobile Cinema,&#xD;
developed by the Cuban Film Institute during 1960's; the Traveling Circus and Arcade&#xD;
Video Games as popular cultural forms, and the use of new media technologies in&#xD;
"Latino Territories" at the beginning of the XXI Century.</summary>
    <dc:date>2006-12-20T16:23:34Z</dc:date>
  </entry>
  <entry>
    <title>2004 Rockefeller New Media Foundation Proposal</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/3991" />
    <author>
      <name>Ferrera-Balanquet, Raul</name>
    </author>
    <id>http://hdl.handle.net/1813/3991</id>
    <updated>2006-12-19T07:00:37Z</updated>
    <published>2006-12-18T14:58:28Z</published>
    <summary type="text">Title: 2004 Rockefeller New Media Foundation Proposal
Authors: Ferrera-Balanquet, Raul
Abstract: "Traveling Corners/Esquinas Rodantes" explores the virtual and the physical&#xD;
results of a nomadic movement and an informational cartography where immigrants from&#xD;
Yucatan, Mexico operate in the context of a transnational US urban metropolitan enclave&#xD;
such as Los Angeles, at the same time; maintain tides with their native land. The project&#xD;
must be understood as a network narrative where the physical and the virtual components&#xD;
create the "whole". In the physical space, there is an installation consisting of: 1) a&#xD;
network linking an interactive kiosk with a hardware, DVD projector, four computers and&#xD;
an internet site; 2) an iron cast/DVD installation surrounded by the four computers; 3)&#xD;
digital graphics/photographs; 4) a performing space; 5) an audio station; 6) DVD with&#xD;
monitors, 3 a model of an imagined territory called "Futura T'ho"; 8) artworks created&#xD;
by the collaborating artists; 9) an artist book and 10) the simulacrum of a tourist shop.&#xD;
The virtual space consisting of a CD-Rom, an interactive DVD and series of Internet&#xD;
based elements (game, chat, multimedia display, database, live stream, QTime movies,&#xD;
informational website and flash animation).</summary>
    <dc:date>2006-12-18T14:58:28Z</dc:date>
  </entry>
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