<?xml version="1.0" encoding="UTF-8"?>
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  <title>eCommons Collection: 2005 Rockefeller Fellowship Recipient</title>
  <link rel="alternate" href="http://hdl.handle.net/1813/5177" />
  <subtitle>2005 Rockefeller Fellowship Recipient</subtitle>
  <id>http://hdl.handle.net/1813/5177</id>
  <updated>2013-05-20T00:17:12Z</updated>
  <dc:date>2013-05-20T00:17:12Z</dc:date>
  <entry>
    <title>2005 Rockefeller New Media Foundation Proposal</title>
    <link rel="alternate" href="http://hdl.handle.net/1813/5178" />
    <author>
      <name>Strickland, Rachel</name>
    </author>
    <id>http://hdl.handle.net/1813/5178</id>
    <updated>2007-01-06T07:07:30Z</updated>
    <published>2007-01-05T15:40:03Z</published>
    <summary type="text">Title: 2005 Rockefeller New Media Foundation Proposal
Authors: Strickland, Rachel
Abstract: A place is constructed in the mind. Whereas western architectural design invests energy in the&#xD;
tangible matter of enclosure, mass, and facade, Japanese practice has embraced aspects of the&#xD;
environment that people neither see nor bump into- through a vocabulary of architectural&#xD;
gestures and cues that designate directions, interruptions, concentrations and dispersions of a&#xD;
habitable 3-dimensional field.</summary>
    <dc:date>2007-01-05T15:40:03Z</dc:date>
  </entry>
</feed>

