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    <title>eCommons Collection: 2003/2004 Rockefeller Fellowship Nominee</title>
    <link>http://hdl.handle.net/1813/3251</link>
    <description>2003/2004 Rockefeller Fellowship Nominee</description>
    <pubDate>Thu, 23 May 2013 05:08:26 GMT</pubDate>
    <dc:date>2013-05-23T05:08:26Z</dc:date>
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      <title>eCommons Collection: 2003/2004 Rockefeller Fellowship Nominee</title>
      <url>http://ecommons.library.cornell.edu:80/retrieve/19288/front_image.JPG</url>
      <link>http://hdl.handle.net/1813/3251</link>
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      <title>2006 Rockefeller New Media Foundation Supplementary Material</title>
      <link>http://hdl.handle.net/1813/12295</link>
      <description>Title: 2006 Rockefeller New Media Foundation Supplementary Material
Authors: Even, Tirtza</description>
      <pubDate>Mon, 04 May 2009 21:29:57 GMT</pubDate>
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      <dc:date>2009-05-04T21:29:57Z</dc:date>
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      <title>2006 Rockefeller New Media Foundation Proposal</title>
      <link>http://hdl.handle.net/1813/12294</link>
      <description>Title: 2006 Rockefeller New Media Foundation Proposal
Authors: Even, Tirtza
Abstract: Once A Wall, or Ripple Remains is the last fold in an on-going documentary project spanning more than seven years&#xD;
to date as well as a wide range of media (from single channel video, CD-ROM, website, to written text, 3-D&#xD;
animation, and interactive installation). The various media reflect and undermine each other's reports, detecting gaps,&#xD;
contradiction and bias in the perception and mediation of the primary experiences or encounters that set the trail of&#xD;
records in motion. Together they form a shifting history not only of the experiences themselves, but of each moment's&#xD;
viewing and of its articulation: a manifold document that questions the stability of any perception, record, or&#xD;
rendering of such encounters.</description>
      <pubDate>Mon, 04 May 2009 21:28:36 GMT</pubDate>
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      <dc:date>2009-05-04T21:28:36Z</dc:date>
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      <title>2004 Rockefeller New Media Foundation Proposal</title>
      <link>http://hdl.handle.net/1813/9432</link>
      <description>Title: 2004 Rockefeller New Media Foundation Proposal
Authors: Even, Tirtza
Abstract: Counterface, an interactive video installation, is one component within a larger two-fold&#xD;
work-in-progress that also comprises Painted Devil, a linear, single channel video. Both pieces&#xD;
focus on women's different roles in contemporary Turkish society, with all the nuances and&#xD;
conflicts that have developed among the secular and non-secular, rural and urban, modern and&#xD;
traditional.</description>
      <pubDate>Tue, 08 Jan 2008 15:31:00 GMT</pubDate>
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      <dc:date>2008-01-08T15:31:00Z</dc:date>
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      <title>Tirtza Even Installation Slides</title>
      <link>http://hdl.handle.net/1813/3357</link>
      <description>Title: Tirtza Even Installation Slides
Authors: Even, Tirtza</description>
      <pubDate>Wed, 26 Jul 2006 19:52:20 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/1813/3357</guid>
      <dc:date>2006-07-26T19:52:20Z</dc:date>
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    <item>
      <title>Transcripts from interviews for Counterface, an interactive video installation</title>
      <link>http://hdl.handle.net/1813/3356</link>
      <description>Title: Transcripts from interviews for Counterface, an interactive video installation
Authors: Even, Tirtza
Abstract: Sample interviews for interactive video piece revolving around women's different roles in contemporary Turkish society.</description>
      <pubDate>Wed, 26 Jul 2006 19:41:59 GMT</pubDate>
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      <dc:date>2006-07-26T19:41:59Z</dc:date>
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      <title>Slip, an interactive video installation: Documentation</title>
      <link>http://hdl.handle.net/1813/3253</link>
      <description>Title: Slip, an interactive video installation: Documentation
Authors: Even, Tirtza
Abstract: Slip, an interactive video installation made in collaboration with Sha Xin Wei, was shot at&#xD;
Peachtree Pine Homeless Shelter in Atlanta, Georgia.&#xD;
Individual studies of homeless people, even with the best intentions, all too often flatten their subjects into iconic figures of misfortune and pathology, ignoring, or damping, for strategic reasons, the social context in which they are defined and confined.  By taking portraiture to its logical conclusion, we highlight the problems of the form.</description>
      <pubDate>Fri, 30 Jun 2006 19:56:07 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/1813/3253</guid>
      <dc:date>2006-06-30T19:56:07Z</dc:date>
    </item>
    <item>
      <title>2003 Rockefeller New Media Foundation Proposal</title>
      <link>http://hdl.handle.net/1813/3252</link>
      <description>Title: 2003 Rockefeller New Media Foundation Proposal
Authors: Even, Tirtza
Abstract: Counterface, an interactive video installation, is one component within a larger two-fold&#xD;
work-in-progress that also comprises Painted Devil, a linear, single channel video. The focus of&#xD;
both pieces is the issue of women's different roles in contemporary Turkish society, with all the&#xD;
nuances and conflicts that have developed among the secular and non-secular, rural and urban,&#xD;
modern and traditional.</description>
      <pubDate>Fri, 30 Jun 2006 19:19:51 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/1813/3252</guid>
      <dc:date>2006-06-30T19:19:51Z</dc:date>
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