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    <title>eCommons Collection: 2004  Rockefeller Fellowship Nominee</title>
    <link>http://hdl.handle.net/1813/3992</link>
    <description>2004  Rockefeller Fellowship Nominee</description>
    <pubDate>Sat, 25 May 2013 09:43:02 GMT</pubDate>
    <dc:date>2013-05-25T09:43:02Z</dc:date>
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      <title>Rockefeller New Media Foundation --Supplementary Material</title>
      <link>http://hdl.handle.net/1813/4020</link>
      <description>Title: Rockefeller New Media Foundation --Supplementary Material
Authors: Jones, Jennie C.
Abstract: 10 slides. &#xD;
1: Methodical Birds. Tape, audio and suspended headset. Paris, 2002. &#xD;
2-3: A/V, an Installation at Triple Candie. Wall drawing with various tapes. New York, 2003. &#xD;
4: Head-Set #1. Ink on paper. 2002. &#xD;
5: All Blues. Wall drawing &amp; audio piece. Milan, 2002. &#xD;
6-10: Listening to Modernism. Ink and collage on paper. 2003.</description>
      <pubDate>Wed, 20 Dec 2006 15:55:34 GMT</pubDate>
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      <dc:date>2006-12-20T15:55:34Z</dc:date>
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      <title>2004 Rockefeller New Media Foundation Proposal</title>
      <link>http://hdl.handle.net/1813/3993</link>
      <description>Title: 2004 Rockefeller New Media Foundation Proposal
Authors: Jones, Jennie C.
Abstract: Dizzy Atmosphere: Sonic Suspension and Modernist Music is an interactive installation&#xD;
that investigates the interplay between abstract visual art and the cultural resonance and&#xD;
autonomy of the modernist jazz movement. A form of revisionist history, this notion has&#xD;
already been explored via multidisciplinary pieces that incorporate wall drawing,&#xD;
animation, sound and works on paper.&#xD;
Expanding on my current practice this project will employ the use of a chandelier-like&#xD;
sonic suspension device that utilizes sound as a form of atmospheric or ambient 'light.'&#xD;
Dizzy Atmosphere will shower the listener with an audio experience that is at once&#xD;
transcendental, educational, challenges the learned behavior of how we listen, and is&#xD;
interactive by allowing the participant to control experiential time.&#xD;
The audio piece itself will be based on the methodology of musical improvisation,&#xD;
harmonics, and counter-melody coupled with the visual aesthetics of minimalism and&#xD;
formalism. It is my intent to highlight the existence and contribution of early African&#xD;
American abstraction, I attempt a marriage of art history, black history and technology&#xD;
within the domain of the abstract languages they constructed.</description>
      <pubDate>Mon, 18 Dec 2006 15:22:11 GMT</pubDate>
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      <dc:date>2006-12-18T15:22:11Z</dc:date>
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