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    <title>eCommons Collection: 2005 Rockefeller Fellowship Nominee</title>
    <link>http://hdl.handle.net/1813/5258</link>
    <description>2005 Rockefeller Fellowship Nominee</description>
    <pubDate>Sun, 26 May 2013 06:35:49 GMT</pubDate>
    <dc:date>2013-05-26T06:35:49Z</dc:date>
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      <title>2005 Rockefeller New Media Foundation Proposal</title>
      <link>http://hdl.handle.net/1813/5259</link>
      <description>Title: 2005 Rockefeller New Media Foundation Proposal
Authors: Ortiz-Torres, Ruben
Abstract: Art has often been considered an "agent of transformation." However, what happens when the art and the spaces where we&#xD;
present it are in a state of flux and transformation?&#xD;
During the twentieth century, mechanics allowed us to incorporate notions of speed and motion into visual&#xD;
representation. New technologies give us the possibility to&#xD;
create forms in transformation, avoiding the limitations of&#xD;
particularity and singularity. These mutant forms might&#xD;
respond to a public space that is mutating too. Forms can&#xD;
be combined and recombined seamlessly as if we were&#xD;
altering their genetic or molecular composition. The public&#xD;
space has become more public in its virtual representation.&#xD;
Cities exist not just in reality but also in a mythical&#xD;
construction that we inhabit from elsewhere. Through web&#xD;
cams and the Internet we can access certain specific&#xD;
locations without having to be there. Here, radical&#xD;
hypothetical interventions within the public space and&#xD;
certain communities can actually become a reality.</description>
      <pubDate>Tue, 23 Jan 2007 15:24:47 GMT</pubDate>
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      <dc:date>2007-01-23T15:24:47Z</dc:date>
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