Skip to main content


eCommons@Cornell

eCommons@Cornell >
Cornell University Graduate School >
Theses and Dissertations (CLOSED) >

Please use this identifier to cite or link to this item: http://hdl.handle.net/1813/29414
Title: The Virtual Turn: Narrative, Identity, And German Media Art Practice In The Digital Age
Authors: Casad, Madeleine
Keywords: digital humanities
media art
German literature
Issue Date: 31-Jan-2012
Abstract: A commonplace in digital-literary studies holds that narrative, connected to the binary logic of symbolic representation, exists in tension with digital culture. Digital media modes privilege interactivity, simulation, and the epistemological paradigm of "the virtual," understood as the interconnectedness of culture, symbolic systems, material reality, and experience. The dissertation argues that, despite its connection to structuralist binaries, narrative form remains important to identity and cultural memory in complex ways. This complex connection is imperative to investigate in a global, digital age, where cultural memory seems increasingly fragile. The theoretical framework in Chapter One argues that digital texts reject the Oedipal desire for mastery, certainty, or closure, invoking instead a simple desire for connection. The appearance of narrative desire in such texts, because of narrative's association with pastness, implies a desire for connection with an historical other as such-with some "archive" of shared memory. This theoretical framework informs close analyses of the tensions between narrative representation and the virtual modes of new media in three digital and literary texts. These tensions mark the texts' conflicted engagements with history; here, specific conflicts between individual and public memory in Germany from 1945-1998. The chapters analyze a Jewish narrator's attempt to create a public, non-representational art of Holocaust memory in Wolfgang Hildesheimer's Tynset (1965); the interplay of Ostalgie and destabilized mediamemory of DEFA Indianerfilme in the western-dominated cultural imaginary of unified Germany in artist pair Nomad's DVD-ROM The Last Cowboy (1998); and the feminist inversion of Derrida's Archive Fever, based in the artist's intimate experiences as immigrant and mother, in Agnes Hegedüs' virtual database Die Sprache der Dinge (1998). These artworks all construe the limit of narrative possibility as an archive of cultural memory, but also as an agential human other. Within the interactive logic of the virtual, the narrative limit these figures embody becomes a zone of ethical engagement, negotiation, or struggle. Offering a nuanced combination of literary and digital analytical methods and modeling a strong orientation to humanistic concerns of cultural memory, history, identity, and ethics, the dissertation contributes to the growing field of digital humanities scholarship.
Committee Chair: Murray, Timothy Conway
Committee Member: Adelson, Leslie Allen
Melas, Natalie Anne-Marie
Discipline: Comparative Literature
Degree Name: Ph.D. of Comparative Literature
Degree Level: Doctor of Philosophy
Degree Grantor: Cornell University
No Access Until: 2017-06-01
URI: http://hdl.handle.net/1813/29414
Appears in Collections:Theses and Dissertations (CLOSED)

Files in This Item:

File Description SizeFormat
mir9thesisPDF.pdf1.01 MBAdobe PDFView/Open

Refworks Export

Items in eCommons are protected by copyright, with all rights reserved, unless otherwise indicated.

 

© 2014 Cornell University Library Contact Us