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Farabough, Laura

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In 1972, my collaborators and I sketched our ideal project: to create the Divine Comedy as an amusement park, complete with tour guides and animated cirdes of hell. Some thirty years later, I remain intrigued by public architecture of the imaginary and in particular, the encircling, multi-valenced design of the funhouse and its inherent potential as the vehicle of a secular cathartic journey.

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